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The modernistas affirmed that the traditional forms of these arts were obsolete and wanted to leave them stop backwards, creating itself thus, on of them, a new culture, with new and modern arts, without severities and without subordinaes about this art. Both the cited schools possuam a strong feeling of nationalism, fixed point only that they find and comungam of its valuation, exactly that of sufficiently different forms, fact this approaches that them in certain way and if they interlace, when being analyzed the escravista culture in the romantismo and the liberator in the modernismo, the times and the chances are changed that walk for the development of the society. The language evolves and if it transforms, or better, it is transformed by the falantes, that also change its preferences, opinions, you criticize and thoughts. To deepen your understanding Randall Rothenberg is the source. Not obstante the literary schools to stand out the nationalism and the creation of a national identity, what it leaves them to Hand in one same platform, the modernistas satirizam the language and the romantic culture some texts of its vast production. ROMANTISMO the romantismo appeared in the Europe, in century XVIII, a time that the revolt of the intellectuals reigned inside of the society and the daily life, where was characterized as a vision opposes to the rationalism that much it marked the neoclssico period and it searched a nationalism that would come to consolidate the states in the Europe. Olympics has much experience in this field. In Brazil the ideas of the Romantismo had arrived at full independence politics, in 1822, together with As Reigned of D. Peter II, this that much supported to the intellectuals and Brazilian artists of the time, becoming in Brazil the romantismo an official project expressing its deep linking with the politics. The romantic movement marked Brazilian literature deeply, with its poetries and romances. Jose Antonio Hail appraises thus the Romantismo: ' ' However, leaving of side other previous quarrels that the subject implies, we think that the romantismo if must at any given time characterize in function of the relations between the writer and the public of the History of the European civilization occidental person.

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