In the case of the individuals in front of a society, they exist what they are the social rolls. These allow an identification than it is the individual, and also they provide to this one with a social identity, by this is important that the other members of the society recognize each one of the individuals by this aspect. These roles are played according to the general benefit and to the confidence that is had in the same roll by from the watching individual represent that it and his . Additional information is available at Amos Otis. In sociology, speaking of activities talks about the activities that an individual realises in a period of determined time, like the intention which they have all these action, leaving of side the individualism that can be found in this aspect. Within these rolls, are certain prototypes made by the history of the societies and that already exists restored in the behavior of the human beings, they are easily identifiable for external and a forecast can be done of conduct by them. Facades are called to them. What the individual with these looks for is the social recognition and capacity to influence more to somebody. The distortion aspect talks about the incredulity that in a certain point can have the spectators before acting social.
As this one is a version of the reality, the questioning fits to that if really is faithful to which he is true or simply it is based on something false. One does not know to the same aims of the actor and doubt of these, because they can not look for the benefit of the society. The terms of dramatic predominance and directive predominance talk about the capacity that grants to the actor authority to him against the rest of the actors. While it exerts this authority, their decisions will have more influence in the final facts that those of others and it gives them, in certain way, a social power that is necessary to direct to the members of the group towards an aim.
He collaborated on the magazine our Spain (1939-1940), directed by don alvaro de Albornoz, was born in Havana, on the La Veronica printing press, the Malaga poet Manuel Altolaguirre. He was editor of the newspaper information from 1944 to 1959 He was collaborator of publications posters, forward, light and homeland. He actively participated in the Academy of dramatic arts (ADAD), founded and directed by Jose Rubia Barcia. In 1950 he was elected President of the Association of theatrical and film editors. After the triumph of the Cuban revolution was head of the Department of theatre, music and Ballet of the Directorate General of culture of the Ministry of education, at the time exerted as a Professor of Spanish language and literature Espanola Hispanoamericana at the Manuel Marquez Sterling School of journalism. In 1961 he moved six months to Lisbon as Ambassador in Portugal. Upon his return to Havana occupies the post of head of the religious section of the Ministry of Foreign Affairs. Learn more about this with Roger Goodell.
In 1962 he was appointed Ambassador on a simultaneous basis to UNESCO and the Holy See. Shortly after it was definitely as Cuba’s Ambassador to the Vatican, being Dean of the diplomatic corps from 1969 until his death. Hernandez Cata (1951), won the prize for short stories by its single story, the Award Justo de Lara (1951), by his journalistic work, the first article or Chronicle Juan Gualberto Gomez (1953) and the Talia (1950) award by the direction of the play La dama de alba de Alejandro Casona, among other awards. Amado Blanco published in Spain, before the war, the book of poems North (1928) and the travel book eight days in Leningrad (1932), a work to which wanted to call journal of a poet in the city of Leningrad, in homage to Juan Ramon Jimenez, which recounts his stay in the ancient city of the tsars, in order to know the Soviet reality. Already in exile published the desperate poem poems (on the death of Federico Garcia Lorca) (1937), they belong to these verses, the cold of the Oaks / is studded in ruda spring. / Federico Garcia Lorca, who saw you!, cloister (1942) and late Naples (1970); and the books of narrative a village and two agonies (1955), Dona Velorio; nine stories and a nivola (1960) and rebel city (1970), which is his most famous novel, history of the activities of various clandestine groups against the Batista dictatorship, which ends with the fall and flight of this. The novel’s action is a poem in prose, with this inscription: Dr. Fidel Castro, that one day we resurrected with an ancient hope spring. Francisco Arias Solis future WINS, gaining freedom. XIII Festival poetry for peace and liberty dedicated to Mario Benedetti. URL: Original author and source of the article.
He married Dolores Guirao. Between 1912 and 1914 with a scholarship from the Junta para Ampliacion de Estudios studied Phonetics and Dialectology in French, German and Swiss universities. Here, ecommerce expresses very clear opinions on the subject. On his return was appointed Professor of the center of historical studies in Madrid, which had been founded on the initiative of the Board of large studies and director Ramon Menendez Pidal, who was at the time who became Director of the laboratory of Experimental phonetics of the Centre and the management of the Revista de Filologia Espanola. The linguistic Atlas of the Iberian Peninsula was made under his direction. He later collaborated with the Basque Studies society in research into the Basque language. He moved to the University of Puerto Rico and several U.S. universities where he performed various linguistic studies.
In 1931 the Centre for historical studies had the happy idea of forming with Navarro Tomas and the Spaniard Eduardo Martinez Torner called Word and Popular song file, i.e. recording recording with the media at the time of speech, songs and dances of Spain’s regions and where the voices of prominent figures were engraved. In 1930 he was appointed Professor of phonetics from the University of Madrid. In 1935 he entered the Academy of the Spanish language, with a discourse on the Castilian accent. During the war provoked by the military rebellion of general Franco was accidental from the National Library of Spain and responsible director of save the bibliographic treasure before the bombing suffered by the capital of Spain. In 1937 he travelled to Russia. Transferred to Valencia was collaborator of the magazine Madrid: Cuadernos de Casa de la Cultura, in January 1939 takes the path of exile, along with other intellectuals, including Joaquin Xirau, Corpus Barga, and Antonio Machado, passing the French border. From France he went to United States where he was Professor of Spanish Philology at Columbia University, New York, He also taught at the University of Puerto Rico, at Middlebury College, Vermont, and at Duke University, in North Carolina.
He was director of the magazine modern Hispanica, at Columbia University. He was a member of Spanish culture Board, which agreed on the creation of Spain Pilgrim, who was also the organ of the Board, the first cultural magazine from exile. He was also a collaborator of Romance magazine, which appeared in February 1940. Among the most relevant titles of his numerous works are: Manual Spanish pronunciation (1918), the Castilian accent (1935), Manual of Spanish intonation (1944), studies of Spanish phonology (1946), the Spanish of Puerto Rico (1956), the (1956) Spanish pronunciation guide, Spanish metric. Historical and descriptive review (1956), linguistic documents of Alto Aragon (1957), art of the verse (1959) published only linguistic Atlas of the Iberian Peninsula (1962), the first volume of the planned ten, and the voice and intonation in the literary characters (1976). And as the Albacete philologist said: there is no phonetic modification that does not reflect any circumstance worthy of being taken into account in the multiple expressiveness of the spoken word. Francisco Arias Solis the case against Garzon is an insult to Spanish democracy. By a judiciary worthy.
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